3 Ocak 2013 Perşembe

Orly's Fails September 20 Inspection

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September 20, 2012 [go here for text of inspection at Everyblock]
  • Orly's/Jalapeno
  • Risk 1 (High)
  • Results
  • Fail
  • Violations
    14. PREVIOUS SERIOUS VIOLATION CORRECTED, 7-42-090
    Comments:CONTINUED NON COMPLIANCE, EVIDENCE OF RODENTS AND INSECTS ON SITE. NOTED MICE DROPPINGS (APPROXIMATELY 30) SCATTERED IN VARIOUS AREAS BEHIND BAR,IN DRY STORAGE ROOM, IN CORNERS IN DINING AREA,BEHIND BOOTH ALONG WALL BASE,UNDER SHELVES AND ALONG SIDE COOLERS/FREEZERS IN OFFICE/STORAGE AREA,BEHIND EQUIPMENT AND THROUGHOUT. MUST REMOVE DROPPINGS, CLEAN AND SANITIZE AFFECTED AREAS AND HAVE SERVICE FROM PEST CONTROL. ALSO NOTED LIVE INSECTS ON SITE. NOTED APPROXIMATELY 6 LIVE LARGE FLIES IN FRONT STORAGE AREA NEAR UNUSED OVEN,IN DINING AREA AND IN PREP AREA. ALSO NOTED 2 LIVE ROACHES ON THE FLOOR UNDER THE DISH MACHINE. MUST REMOVE INSECTS,SANITIZE AFFECTED AREAS AND HAVE THE PEST CONTROL COMPANY SERVICE AREAS.
    32. FOOD AND NON-FOOD CONTACT SURFACES PROPERLY DESIGNED, CONSTRUCTED AND MAINTAINED
    Comments:REMOVE RANCID GREASE ON INTERIOR OF FRYERS.
    33. FOOD AND NON-FOOD CONTACT EQUIPMENT UTENSILS CLEAN, FREE OF ABRASIVE DETERGENTS
    Comments:MUST CLEAN INTERIOR OF FREEZERS AND REMOVE FOUL ODORS. ALSO DETAIL CLEAN WINDOW SILLS AND ALL DIRTY SURFACES THROUGHOUT. CLEAN THE INTERIOR OF THE ICE MACHINE. INSTRUCTED TO CLEAN ALL FOOD AND NON-FOOD CONTACT EQUIPMENT FREE OF DUST, DEBRIS, SPIDERWEBS, DROPPINGS, TOOLS, SCREWS, ETC.
    34. FLOORS: CONSTRUCTED PER CODE, CLEANED, GOOD REPAIR, COVERING INSTALLED, DUST-LESS CLEANING METHODS USED
    Comments:MUST PROPERLY REPAIR BROKEN FLOOR TILES IN BAR AREA AND UNDER SMALL PREP COOLER. FLOOR MUST BE SMOOTH, EVEN, EASILY CLEANABLE SURFACE.
    41. PREMISES MAINTAINED FREE OF LITTER, UNNECESSARY ARTICLES, CLEANING EQUIPMENT PROPERLY STORED
    Comments:MUST PROPERLY CLEAN AND MAINTAIN UNUSED EQUIPMENT OR REMOVE.

    Announcing Film Babble Blog's Sister Site: Pop Goes The Babble

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    I’m proud to announce my new blog:



    I’m overflowing with pop culture material that’s not about movies, so it seemed like it should get its own site. My reviews and features about television shows, and rock ‘n roll will now be the realm of Pop Goes The Babble, which will be a more indulgent blog mainly about whatever I’m into at the moment.
    So far there are only 2 posts:
    Pop Goes The Babble’s Favorite Album of 2012: Bob Dylan’s Tempest (12/12/12) An essay that I wrote back when the album came out, but never posted gets its proper home here.
    An excerpt: “Dylan’s previous album, 2009’s Together Through Life, had its off-the-cuff, live-in-the-studio charms, but Tempest is a vast improvement in arrangement, production, and songwriting, with lyrics that are as sharp as the singing is raggedy.” 

    Babblin’ about the rocking but exhausting 12.12.12 Concert:


    My re-cap of last night’s mammoth rock star-packed concert at Madison Square Garden to raise money for the Robin Hood Relief Fund benefiting victims of Hurricane Sandy.

    Hope you check out the site and give me feedback as it goes. Thanks for your support!

    More later…

    Tarantino's Overlong DJANGO Is Off The Chain

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    Opening today at a multiplex near you:


    DJANGO UNCHAINED (Dir. Quentin Tarantino, 2012)

    Three years after his revisionist World War II epic INGLORIOUS BASTERDS, Quentin Tarantino is back with this blaxploitation Western, which tackles slavery, revenge, and how many times the “N-word” can be said in a 2 hour and 45 minute movie.

    Almost as if he’s atoning for playing an evil Nazi in BASTERDS, Christoph Waltz portrays an abolitionist-minded bounty hunter who frees a slave named Django (Jamie Fox) from his sinister masters (James Remar and James Russo) in the deep south of 1859. 


    Waltz recruits Fox to join him in his bounty hunting (“Kill white people and get paid for it? What's not to like?”), and they set off to rescue Fox’s wife (Kerry Washington) from the clutches of Leonardo DiCaprio as a brutal yet charming Mississippi plantation owner.


    Tarantino takes his sweet time getting to DiCaprio’s plantation, as Fox and Waltz make their way across the terrain, beautifully shot by cinematographer Robert Richardson. At times the film comes off like a collection of comedy sketches loosely strung together. One scene, in which a Colonel Sanders-looking Don Johnson as another villainous plantation owner named Big Daddy argues with his men about the badly cut slits in their proto Klan hoods, feels like it could’ve been an outtake from BLAZING SADDLES.
    Dinner at DiCaprio’s, with his house slave (an intensely invested Samuel L. Jackson), is also leisurely paced. Fox and Waltz, under the guise of slave traders, are trying to pull the wool over DiCaprio’s eyes and liberate Washington, but Jackson sniffs them out. This is one of those slow burning sequences that can only end in bloodshed, but Tarantino drags it out too much, which calls attention to how slim the narrative is.

    The Spaghetti Westerns and ‘70s grindhouse movies that Tarantino is forever paying homage to didn’t have very layered storylines either, so that’s not too terrible an issue, but it’s sometimes tedious how he cares more about hanging out with his characters than putting them into challenging scenarios.


    From the retro Columbia studios logo to the RZA’s “Ode To Django” that plays during the end credits, DJANGO UNCHAINED feels like a Tarantino movie through and through. It’s a profanity-laced dialogue-driven violent action comedy with well chosen cameos (look for Jonah Hill, The Dukes of Hazzard’s Tom Wopat, Tarantino (you knew he'd show up, right?) and the original Django himself, Franco Nero), set to a hip soundtrack (a mix of Ennio Morricone, hip hop, and even a little Johnny Cash), that could only come from the twisted mind of the 49 year old former video store clerk.


    Fox puts in a solidly stoic performance as the title character, interacting superbly with Waltz, both obviously having a blast with Tarantino’s way with words. DiCaprio, sporting a devilish goatee, also appears to be having fun, but he’s not given a very interesting character. DiCaprio doesn’t come off as despicable as he’s supposed to be. It’s Jackson who takes that honor.
    And, of course, it's a boy's club, so don't expect much from the women present - Washington, at least, makes her presence known.

    DJANGO may be more for Tarantino fanatics than casual movie-goers, so if you don’t have much tolerance for the man’s particular brand of abrasive cinema, you won’t be won over. Fanboys will be picking it apart and poring over the inevitable much longer director’s cut (a four hour version may be released to theaters depending on the box office of this one) for years, but I doubt many of them will think its Tarantino’s best film.


    So anyway, it's pretty a pretty ballsy move for the Weinstein Co. to release this movie, maybe containing the most excessive use of the N-word in cinematic history, on Christmas Day. It's a move that proves that, these days, a Tarantino movie, however crude the content, is a tent-pole event.
    More later...

    Holiday Season Cinema Roundup 2012 Part 1

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    This hasn’t been the strongest holiday movie season I’ve experienced (how could it be without the Coen brothers or George Clooney?), but it’s a pretty strong one with a few entertaining epics, a couple of decent comedies, and one big overwrought musical competing for movie-goers attention.

    So let’s take a look at what’s currently playing as the year is ending:

    SILVER LININGS PLAYBOOK 
    (Dir. David O. Russell)


    Although it must be stressed that this is ultimately a best-case scenario rom com, this tale of a bio-polar Bradley Cooper getting together with Jennifer Lawrence as a neurotic widower has a punchy screenplay that’s energetically (and very loudly) delivered by the leads, including Robert De Niro, in one of his most invested performance in years, as Cooper’s Philadelphia Eagles superfan father. Chris Tucker, who keeps popping up after repeatedly escaping from Cooper’s former mental institution, adds to the film’s already plentiful laughs. Director and screenwriter Russell's last film, 2010's THE FIGHTER, was a winner as well, so here's hoping he's on a roll.
    HITCHCOCK 
    (Dir. Sacha Gervasi)   

    Sacha Gervasi’s (2008's rock doc ANVIL: THE STORY OF ANVIL) second film as director boasts a stellar cast - Anthony Hopkins, Helen Mirren, Scarlett Johansson, Toni Collett, and Danny Huston – but a not so stellar story. The conceit that every good idea that went into the making of the classic 1960 thriller PSYCHO came not from the Master of Suspense, but from his wife Alma falls flat in the midst of these fine actors being put through T.V. movie-ish motions. Read my full review here.

    THE HOBBIT: AN UNEXPECTED JOURNEY (Dir. Peter Jackson)


    Peter Jackson takes us on another sweeping slog through Middle Earth in this prequel set 60 years before THE LORD OF THE RINGS series. Martin Freeman, best known as Tim on the mockumentary sitcom The Office [UK], stars as Bilbo Baggins who reluctantly finds himself on a quest with an unruly band of dwarves to overtake what looks like the Paramount mountain. I saw it in HFR (Higher Frame Rate) 3D, but, although it looked exquisitely sharp, it wasn’t as immersive an experience as I’d heard. Probably would’ve been just as well off with the 2D version.

    There are some amazing heavily CGI-ed sequences, including battles and chases inside an elaborate underground city that comes off like THE TEMPLE OF DOOM times 100, but you can really feel its length (169 min.), and the idea that this is just part one of another trilogy seems to come more from greed than pure inspiration. 

    But that's too cynical of me. This is really for the legions of Tolkien fans who can’t get enough of this stuff and will love spending more time with Ian McKellen’s Gandalf, and getting cameos from Frodo (Elijah Wood), and Ian Holms as the older incarnation of Bilbo who presents the story as a flashback. What I enjoyed most was Bilbo's cave encounter with the slimy creature Gollum (once again beautifully played by motion-capture specialist Andy Serkis), which is nicely faithful to the original Tolkien text.


     DJANGO UNCHAINED 
    (Dir. Quentin Tarantino)

    Tarantino’s blaxploitation Western is also a long-ass film (165 min!) that could’ve been served by better editing (sadly his long-time editor Sally Menke died in 2010), but it’s still a hugely entertaining epic that tackles revenge, slavery, and possibly contains the most excessive use of the “N-word” in cinematic history. 

    Jamie Fox stars as a slave who gets freed by a former dentist played by Christoph Waltz who offers Fox a new job as a bounty hunter. Together, they set off to rescue Fox’s wife (Kerry Washington) from the plantation of the brutal yet charming Leonardo DiCaprio. The film drags a bit in DiCaprio’s company, which includes Samuel L. Jackson as his cruel conniving house slave, but when its “on” it's a blast. Read my full review here.
    Coming soon: Part 2 of Film Babble Blog's Holiday Season 2012 Roundup.

    More later...

    Holiday Season Cinema Roundup 2012 Part 2

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    Continuing Film Babble Blog's end of the year roundup (check out Part 1 here), we now take a look at several more movies currently playing this holiday season:

    LES MISÉRABLES (Dir. Tom Hooper) 


    I was surprised at how many of the songs that I was familiar with in this adaptation of the wildly popular musical based on the 1862 Victor Hugo novel. I had forgotten that a long time ago an ex-girlfriend had the CD set of the Original Broadway Cast Recording from the late '80s, so much of it came flooding back as the film unfolded on the screen.

    As my memories and the movie coalesced, I took in this French revolution era tale about Hugh Jackman as an escaped convict, who after becoming mayor of a small town, agrees to take care of deceased factory worker Anne Hathaway’s daughter (played by Isabelle Allen as a child; Amanda Seyfried as an adult). As sleazy innkeepers, Helena Bonham Carter and Sacha Baron-Cohen bring on the bawdy and steal the movie whenever they appear.
    Jackman, Hathaway, and Seyfried, who all sing their parts live, are in fine voice, but Russell Crowe, as a ruthless policeman who’s hunting Jackman, has a rough warble that can be painful to endure - especially when the songs go on and on, which they often do. Hooper’s epic production, which clocks in at 157 minutes, wonderfully wallows in the muck of its dark, grotesque imagery, but its messiness can be overwhelming at times. Folks who aren’t fans of the musical, or musicals in general, will find it hard to take, but for the most part, I took it just fine.

    JACK REACHER (Dir. Christopher McQuarrie) 
    Looks like Tom Cruise wants another franchise as this is an adaptation of one of seventeen in a series of novels by Lee Child. This action thriller formula is competently constructed, but its story - Cruise as an ex-army military police investigator tries to get to the bottom of a case involving a trained military sniper who shot five random people - isn't very compelling. 
    Some excitement is there in a few set-pieces, but its climax containing a shoot-out at a construction site, only hammers home how routine a genre exercise it is. Still, Cruise fans should love it as he makes a convincing unshakable badass, and Werner Herzog makes a great villain. Read my full review here.

    THIS IS 40 (Dir. Judd Apatow)

    Judd Apatow’s glorified home movie is his third film to feature his wife (Leslie Mann) and kids (daughters Maude and Iris), so you know he thinks they’re funny. To his credit, for a lot of its running time (another long one at 134 min) they are funny, but this is a big sloppy comic drama with too many storylines that never really get resolved. Paul Rudd and Mann, reprising their married couple roles from KNOCKED UP, have good chemistry together, and Albert Brooks, as Rudd’s father dealing with new triplets, is highly amusing, so there’s enough here to satisfy most comedy fans. Folks who aren’t fans of heavy amounts of profanity, or Apatow’s brand of man-boy humor in general may want to skip it however. Read my full review.

    ANNA KARENINA 
    (Dir. Joe Wright) 

    Leo Tolstoy's 1868 novel has been adapted many many times, but Wright, in the third of his “literary trilogy” with Keira Knightly, has a meta take on the material involving setting the late 19th-century Russian story in a lavish old theater that evolves within the production into whatever backdrop is needed. Knightly, as the title character, works around the ropes, pulleys, curtains, footlights, and appropriate props, to portray a virtuous woman in a loveless marriage to an imperial minister (a balding, bearded, and quite boring Jude Law) who has an affair with Aaron Taylor-Johnson as a dashing cavalry officer. It can get a bit strained at times in its second half, but Wright's inventive reworking of the well worn material makes it recommendable. Read my full review here.

    Well, that's it for this not bad Holiday season. By the way, I appeared on a Special Christmas Edition of fellow Raleigh, N.C. based critic Craig D. Lindsey's podcast Muhf***as I Know last week. We recorded a commentary (of sorts) for what Craig calls “one of the shittiest sex comedies ever made: THE HAPPY HOOKER GOES TO HOLLYWOOD (1980). The movie is available on Netflix Instant, so queue it up, go here, and listen to us babble all over it.

    More later...

    2 Ocak 2013 Çarşamba

    Frozen yogurt, cupcake shops closing in Dilworth

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    Two relatively new food options on East Boulevard are closing this weekend, as Freshberry Frozen Yogurt and Smallcakes Cupcakery throw in the towel.

    The neon-accented stores opened in the former Blockbuster location at Kenilworth Avenue and East Blvd. just this summer. I wrote about them when they were first announced in February, which you can read about here.

    Sunday will be the last day of business for Freshberry and Smallcakes. There's no word yet on what will be replacing the stores. Owner Nick Smith was out of town Thursday, said a woman at the store.

    Smith, a longtime Charlotte franchise owner who opened the city's first Jersey Mike's sub shop and Moe's Southwest Grill restaurants, will be featured in an upcoming Observer store on franchising. He said that the Freshberry/Smallcakes concept is closing due to slow traffic.

    That certainly seemed to be the case Wednesday night, when I went by the restaurant on my way home from work. A man in a cowboy hat was spinning LED lights to lure people into the nearly-empty parking lot.

    Freshberry was entering an already crowded fro-yo marketplace, with a slew of businesses including Yoforia, Tasty Yo, Pinkberry, TCBY, Cherry Berry, and the Frozen Isle. And directly across the street from Freshberry, on the opposite corner in the Kenilworth Commons shopping center, is Menchie's, a fro-yo franchise that opened last year.

    Read more here: http://obswhatsinstore.blogspot.com/2012/02/frozen-yogurt-cupcakes-subs-headed-to.html#storylink=cpy

    A Jersey Mike's that occupies the other half of the former Blockbuster building will remain open. 





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    Walmart Neighborhood Market opening on Independence Blvd.

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    A Walmart Neighborhood Market is opening next year on Independence Boulevard, the first store of its kind in Charlotte.

    As previously reported on this blog, the store will be in a former Best Buy location at 7421 E. Independence Boulevard, in the Independence Square shopping center. That shopping center also has a Super Global Mart international food store.

    The store will be hiring about 85 people to work full and part-time. They'll start working in January as the store prepares for its opening.

    There are some 200 Wal-Mart Neighborhood Markets nationwide. They're about the same size as traditional supermarkets, and carry similar lines of goods. This is the state's second Neighborhood Market. The first opened in Cary in October. Here's a local news story from Cary with pictures of the store, to give you a better idea what to expect (Their verdict: "Walmart Neighborhood Market looks like a lot like a slightly less fancy Harris Teeter.").

    “We are excited to add this Walmart Neighborhood Market to Charlotte and bring good jobs with career opportunities to the area,” said store manager David Thomas, in a statement. He's been with the company for three years, and started his career in Shelby.

    The new Neighborhood Market will be a challenge to other supermarkets, of course, and also to other smaller,  discount food retailers, such as Family Dollar. It represents the fourth new grocery option in the region announced or opened this year, along with Whole Foods, 201central, and Publix.

    Building permits show Walmart is spending more than $3.5 million to upgrade some 50,000 square feet of the building.

    Here's Walmart's description of the Neighborhood Markets: "Walmart Neighborhood Markets were designed in 1998 as a smaller-footprint option for communities in need of a pharmacy, affordable groceries and merchandise. There are now about 200 Neighborhood Markets in the U.S. Each one is approximately 38,000 square feet and employs about 95 associates. Walmart Neighborhood Markets offer fresh produce, meat and dairy products, bakery and deli items, household supplies, health and beauty aids and a pharmacy."



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